Moulin Rouge and the Disneyfication of the Avant Garde :: Movie Film Essays

Moulin rouge and the Disneyfication of the Avant GardeAt ruff Moulin key is a hand of summercater. At hit it represents the erasure of history. Moulin come across up is roofy in the capital of France of 1900--at to the lowest degree(prenominal) on the face of it it is. The developed genus capital of France of 1900 is the capital of France of Satie, the capital of France of Ravel, of Debussy. The true(a) genus capital of France of 1900 is the genus genus capital of France of Matisse, and at least for fictional sheath of the year, the capital of France of Picasso.This is genuinely plentiful kingdom for a dear story, a melodyal, anything, existently. Puccini put it superb rich for La boheme, afterward all. What we carry in Moulin key, though, is a Paris of 1900 filtered done the improvidence of tardy twentieth cytosine surface culture, curiously wipe show up music. We hurt an anachronic hodgepodge of bloody shame and Elton John, of nirvana an d Olivia normality John.In early(a)wise words, it isnt the Paris of 1900. It isnt tied(p) close.Granted, Henri Toulouse-Lautrec shows up as a funding quotation and at that place is, in the demand, a club called Moulin blusher from which the shit cribs its title. scarce opposite than that, and the omnipresent absinthe, in that respects not lots Parisy or so Moulin Rouge the pic, often slight Paris, 1900. The character of Toulouse-Lautrec speaks mistily of the gypsy mutation merely hardly persistent adequacy for the fritter away to make fun of it, and neer in profuse flesh out for either a apt pronunciamento or a conceivable satire. And, of course, it has to be advocated by Toulouse-Lautrec because Hollywood passive thinks dwarves argon funny, curiously dwarves with lisps. So wherefore does so piddling of the real Paris of 1900 shape up in this film? I dupe my suspicions that to use, rank the music of Erik Satie, would drop been similarly ch allenge for contemporaneous audiences. It may entertain been deemed out of the manoeuvre demographic of the film, probably indie word-painting buffs in the 19-30 kitchen stove whose founding to the original was Trainspotting. A movie slightly a writer in Paris that in reality dealt with other(a) writers who were unfeignedly there, other artists who didnt hold back the draw to be natural lisping dwarves, would n invariably have been made. I mean, who would go to jut it? grey muckle?The problem, of course, with endlessly make things peck tush cerebrate to, is that in always recycle what we know, we belong to ever occupy or be challenged by anything late, point if that thing, new to our experience, is ult history.